Watching Les Miserables, somehow I
wished that there were lyrics put as subtitles to the movie so that at least, I
could appreciate the movie better. I’m not saying that the diction or
pronunciation in the movie is bad. It’s just that the music and sound effects
tend to drown out certain parts of the important words in the movie. If you are
watching the movie in Cathay Cineplex in Singapore, chances are, the subtitles
would be in mandarin. So, unless you could read mandarin, you might have a
little difficulty figuring out much of the background or the history to the
show.
Les Misérables is the screen
motion-picture adaptation of the global stage sensation seen by more than 60
million people in 42 countries and in 21 languages around the world that is
still breaking box-office records everywhere in its 28th year.
Set
against the backdrop of 19th-century France, Les Misérables tells an
enthralling story of broken dreams and unrequited love, passion, sacrifice and
redemption—a timeless testament to the endurance of the human spirit. Jackman
plays ex-prisoner Jean Valjean, hunted for decades by the ruthless policeman
Javert (Crowe) after he breaks parole. When Valjean agrees to care for factory
worker Fantine’s (Hathaway) young daughter, Cosette, their lives change
forever.
With
its story’s bands of the disenfranchised joining together to challenge
corruption and demand change, Victor Hugo’s 150-year-old tale that inspired the
world’s longest-running musical has never been timelier. Now, Les Misérables
brings its power to the big screen in Hooper’s sweeping and spectacular interpretation
of this classic epic. With international superstars and beloved songs—including
“I Dreamed a Dream,” “Bring Him Home,” “One Day More” and “On My Own”—the show
of shows is reborn as the cinematic musical experience of a lifetime.
1815, Toulon/Digne:
After 19 years on the chain gang (“Look Down”), Jean Valjean (Jackman)—prisoner 24601—is released by Javert (Crowe), the officer in charge of the convict workforce. As Valjean struggles to make his way from Toulon to Digne (“Freedom Is Mine”) in search of food, lodging and work, he discovers he is an outcast, shunned by everyone. Only Bishop Myriel of Digne (COLM WILKINSON, who originated the role of Valjean in London and on Broadway) treats him kindly, but Valjean, embittered by years of hardship, repays him by stealing the church’s silver candlesticks. Valjean is soon caught and returned, but is astonished when the bishop denies the theft to the police to save him. Henceforth, Valjean decides to start his life anew (“What Have I Done?”).
After 19 years on the chain gang (“Look Down”), Jean Valjean (Jackman)—prisoner 24601—is released by Javert (Crowe), the officer in charge of the convict workforce. As Valjean struggles to make his way from Toulon to Digne (“Freedom Is Mine”) in search of food, lodging and work, he discovers he is an outcast, shunned by everyone. Only Bishop Myriel of Digne (COLM WILKINSON, who originated the role of Valjean in London and on Broadway) treats him kindly, but Valjean, embittered by years of hardship, repays him by stealing the church’s silver candlesticks. Valjean is soon caught and returned, but is astonished when the bishop denies the theft to the police to save him. Henceforth, Valjean decides to start his life anew (“What Have I Done?”).
1823, Montreuil-sur-Mer:
Eight years have passed, and Valjean, having broken his parole and vanished, has used the money made from selling the bishop’s silver to reinvent himself as Monsieur Madeleine—a respected town mayor and factory owner. One of his workers, Fantine (Hathaway), has a secret illegitimate child named Cosette to whose guardians she must send every franc she earns. The other women have discovered this, and when they think Fantine is behaving above her station by refuffing the factory foreman because of his advances, they demand her dismissal (“At the End of the Day”). She is thrown out without mercy. Fantine pleads with Valjean to help her, but his attention is elsewhere.
Eight years have passed, and Valjean, having broken his parole and vanished, has used the money made from selling the bishop’s silver to reinvent himself as Monsieur Madeleine—a respected town mayor and factory owner. One of his workers, Fantine (Hathaway), has a secret illegitimate child named Cosette to whose guardians she must send every franc she earns. The other women have discovered this, and when they think Fantine is behaving above her station by refuffing the factory foreman because of his advances, they demand her dismissal (“At the End of the Day”). She is thrown out without mercy. Fantine pleads with Valjean to help her, but his attention is elsewhere.
Javert,
now the inspector of police, has appeared at the factory to see Madeleine.
Although Javert thinks they may have met before, Valjean quickly informs him he
is mistaken. They are interrupted by a crash from outside, and they hurry out.
There, Javert watches in amazement as Valjean lifts a cart, which has toppled
onto a driver named Fauchelevent (STEPHEN TATE, a London stage Thénardier for
several years). The extraordinary show of strength reminds Javert of the
convict Valjean, but he is not confident enough to say so.
Desperate
for money to pay for her daughter’s medicine, Fantine goes to the red-light
district (“Lovely Ladies”), where she sells her beloved locket, her hair and
her teeth, then joins the whores in selling herself (“I Dreamed a Dream”).
Utterly degraded, she gets into a fight with a violent customer and is about to
be arrested by Javert when the mayor arrives and demands she be taken to the
hospital instead. Fantine tells Valjean that she was thrown out by his foreman,
that Valjean did nothing to help her, and that her daughter is close to dying.
Stunned, he promises to go to the inn in Montfermeil, where her daughter is
living, and reunite her with her mother.
Later,
Javert hears that the convict Valjean—whom he has been hunting for eight
years—has been recaptured, and he goes to see Madeleine to apologize for his
suspicions. Valjean conceals his shock and hurries home, preparing to leave
before the mistake is discovered. Unable to see an innocent man go to prison,
Valjean bursts into the courtroom to confess that he is in the fact the real
Valjean, prisoner 24601 (“Who Am I?”). Valjean then goes to the hospital, where
he promises the dying Fantine that he will find and raise Cosette as his own
(“Take My Hand”). Just as Fantine dies, Javert arrives to arrest Valjean. The
two men fight (“The Confrontation”), but Valjean manages to escape.
In
Montfermeil, Young Cosette (newcomer ISABELLE ALLEN) has been living (“Castle
on a Cloud”) with Monsieur and Madame Thénardier (Baron Cohen and Bonham
Carter), who horribly abuse her while spoiling their own daughter, young
Éponine (newcomer NATALYA WALLACE). Keepers of an inn, they run a bawdy
business, where they frequently pick the pockets of their customers (“Master of
the House”). Valjean finds Cosette freezing in the woods by the inn and takes
her back to her guardians, whereupon he pays the Thénardiers to let him take
her away to Paris (“The Bargain”).
Just
after Valjean and Cosette leave, Javert arrives, cursing the fact that Valjean
has eluded him once more. As they make their way to Paris, Valjean is
overwhelmed by the love he has for Cosette (“Suddenly,” written for the
screen), but there is no time for him to indulge in his paternal feelings.
Javert is hot on their heels, and when they arrive in Paris, Valjean and
Cosette seek sanctuary in a convent. They find it when they run straight into
the very man whom Valjean rescued from certain death, Fauchelevent. That night,
Javert pledges to the sleeping city that he will hunt Valjean until he is back
behind bars (“Stars”).
1832, Paris:
Nine years later, the unrest in the city has been simmering because of the imminent death of the popular leader General Lamarque, the only man in government who has shown sympathy for the poor citizens who are dying in the streets. We follow the indomitable street urchin Gavroche (DANIEL HUTTLESTONE, West End production of Les Misérables) as he jumps from coach to coach, literally dancing over the heads of the elite (“Look Down”), and a group of politically minded students led by Marius (Redmayne) and Enjolras (Tveit) as they gather in the streets. Enjolras rallies the crowd for support, and a pretty young street girl, the now-grown Éponine (Barks), gazes longingly at Marius, clearly and desperately in love with him.
Nine years later, the unrest in the city has been simmering because of the imminent death of the popular leader General Lamarque, the only man in government who has shown sympathy for the poor citizens who are dying in the streets. We follow the indomitable street urchin Gavroche (DANIEL HUTTLESTONE, West End production of Les Misérables) as he jumps from coach to coach, literally dancing over the heads of the elite (“Look Down”), and a group of politically minded students led by Marius (Redmayne) and Enjolras (Tveit) as they gather in the streets. Enjolras rallies the crowd for support, and a pretty young street girl, the now-grown Éponine (Barks), gazes longingly at Marius, clearly and desperately in love with him.
Later
the same day, a street gang led by M. and Mme. Thénardier sets upon Valjean and
a beautiful young woman, the grown Cosette (Seyfried), who are giving alms to
the beggars. Marius catches sight of Cosette, and he cannot take his eyes off
her. It is simply love at first sight. Just then, Javert arrives and breaks up
the brawl but fails to recognize Valjean until the former prisoner has
vanished. For her part, Éponine reluctantly agrees to help Marius find Cosette,
for whom he only has eyes.
As
news of Lamarque’s death spreads throughout Paris, the students gather again to
rally support for a revolution (“Red and Black”). However, Marius is distracted
by thoughts of Cosette, as is Cosette of Marius (“In My Life”). Éponine guides
Marius to Cosette (“In My Life”/“A Heart Full of Love”), while her scurrilous
father tries to rob Valjean’s house. Valjean, convinced it is Javert who has
come after him, tells Cosette they must flee the country. Cosette hastily
scribbles a letter to Marius so that he will know where to find her. She sees
Éponine and asks her to give the note to Marius. Éponine takes the letter and
walks despondently through the lonely streets of Paris (“On My Own”), arriving
at the apartment where Marius lives. Heartbroken, she keeps the letter but
tells him that Cosette has gone to England.
Set
to the ensemble song “One Day More,” we follow the many threads of the story:
Valjean and Cosette as they flee, while Marius pines for Cosette and Éponine
grieves for a love she’ll never know; Enjolras and the students prepare
ammunition for the uprising, while Javert rouses his forces and promises to
suppress it. Marius leads the students to the streets, and bolstered by the
crowd, they ambush Lamarque’s funeral (“Do You Hear the People Sing?”) and make
their call for the people to rise up. A soldier lets off a round of ammunition,
and the funeral explodes into a riot. The students break away and race off to
their home base, where they prepare to build a barricade and to make their
final stand. Disguised as a boy, Éponine decides to rejoin Marius there, and
Javert, who has been operating undercover throughout the funeral, also arrives
at the growing barricade. Gavroche soon unmasks Javert’s true identity, and the
spy is taken hostage by the students.
The
barricade continues to grow, and the revolutionaries defy the warning by
soldiers to give up. Éponine is killed while protecting Marius (“A Little Fall
of Rain”), but she just manages to give him Cosette’s note before she dies.
Marius asks Gavroche to take a letter to Cosette, which is intercepted by
Valjean. He understands now that Marius and Cosette have fallen in love, and
knowing that the students won’t stand a chance, he goes in search of Marius.
Valjean gains entry to the barricade and soon sees Javert held captive. Warning
the students of snipers and proving his allegiance, Valjean asks Enjolras to
release Javert into his custody. Valjean is given the chance to kill Javert but
shows him the mercy denied himself. The students settle down for a long night
on the barricade (“Drink With Me”), and in the deadly quiet, Valjean prays to
God to spare Marius (“Bring Him Home”).
The
next day, as Gavroche volunteers to go for more ammunition (“Little People”),
the little boy is killed by a soldier. The rebels now face a bombardment by the
army, and in the onslaught, Marius is shot. Valjean carries the unconscious
Marius away from the carnage, escaping into the sewers. Enjolras and the few
remaining rebels are killed. Javert walks through the bodies, grimly surveying
the victory of law over rebellion, but the official does not find Valjean until
he sees a drain has been lifted…
Valjean
pulls Marius through the sewers, and after he meets Thénardier robbing the
corpses of the rebels, he emerges from the gutter only to find Javert waiting
for him once more. Valjean pleads for time to deliver Marius to the hospital,
but Javert threatens to kill him if he attempts to escape. Valjean continues to
walk on, but Javert cannot pull the trigger. Javert lets Valjean go, but unable
to live knowing that his immutable principles of justice have been broken, he
leaps from a bridge to his death.
Marius,
unaware of the identity of his rescuer, awakes from the nightmare in his
grandfather Gillenormand’s (PATRICK GODFREY, The Remains of the Day) home.
Still weak, Marius returns to the café where the students plotted their
uprising and grieves for his comrades who died for the cause (“Empty Chairs at
Empty Tables”). As he turns to leave, he finds Cosette awaiting him. Back at
his grandfather’s house, Marius recovers in Cosette’s care and goes to Valjean
to hear his rescuer’s confession of his past. Knowing that he must flee so as
not to disgrace Cosette in case he is caught (“Who Am I?”), Valjean makes
Marius swear that Cosette will never know of his true history.
Marius
and Cosette are married, and at the wedding banquet, the Thénardiers try to
blackmail Marius in exchange for their silence on Valjean’s identity. However,
when Marius sees that the ring Thénardier stole that night in the sewer is his
own, Marius understands that it was Valjean who rescued him. He fells
Thénardier with a blow, and the Thénardiers are thrown out singing in protest
as they go (“Beggars at the Feast”). Cosette joins Marius as they rush to the
convent so she may learn her true history. They stay with Valjean as he dies,
joined by the ghost of Fantine and the bishop (“Take My Hand”).
Many years later, the people of Paris have risen in their thousands, and a new Republic is born. An immense barricade is populated by thousands of people (“Do You Hear the People Sing?”). We see amongst them the ghosts of Enjolras and the students, Gavroche and Éponine, Fantine and Valjean—all singing together in triumph.
Many years later, the people of Paris have risen in their thousands, and a new Republic is born. An immense barricade is populated by thousands of people (“Do You Hear the People Sing?”). We see amongst them the ghosts of Enjolras and the students, Gavroche and Éponine, Fantine and Valjean—all singing together in triumph.
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