Review: Pitch Perfect 2

Crosswalk's own Jeffrey Huston totally called it back in 2012 (see "Even Glee Haters Will Love Pitch Perfect"). The a cappella comedy that introduced the world to the Barden Bellas was quite the “sleeper hit” and “word-of-mouth sensation.” With popularity extending far beyond the intended teenage demographic, quite a feat considering no major stars were attached at the time, Pitch Perfect also proved that movies with competitive singing/dancing don’t have to be embarrassingly cheesy.

Now nearly three years later, the Bellas have graduated from the college scene to the national arena. And while this film is definitely a flashier production than its humble, homespun counterpart, Pitch Perfect 2 still hits all the right notes. In many ways, especially in terms of character development and go-for-broke humor, Pitch Perfect 2 is even better. Sure, the singing and pursuit of the big title is still important, but it’s the friendships and celebration of girl power that inevitably take center stage.

And oh, did I mention that it’s funny? I’m pretty sure I’d watch an entire movie featuring the hilarious broadcasting duo of Gail (Elizabeth Banks, The Hunger Games franchise) and John (John Michael Higgins, Evan Almighty). Their narration of The Bellas' competitions, although wildly politically incorrect, is an absolute hoot. Also back in reliably manic form as Fat Amy, Rebel Wilson (Bridesmaids) steals every scene she's in. Instead of remaining easy, one-dimensional comic relief that centers on the size she has no trouble owning, Wilson's given more substantial opportunities to showcase her range.

In the beginning, though, things aren't looking promising for the celebrated Bellas. After a very embarrassing incident from a national performance at Lincoln Center went viral (yes, even President Obama looked shocked from witnessing the ripped spandex, and terrorism was “ruled out” by the government to calm everyone’s fears), The Bellas were suspended from future competition. Of course, not being able to compete would basically leave the audience with a 15-minute movie, so Beca (Anna Kendrick, Into the Woods) is forced to get creative and eventually finds a loophole.